Posted inArts & Culture ‘The Angry Black Girl and Her Monster’ is a Frankenstein myth for our times by Dominic Griffin July 11, 2023
Posted inArts & Culture ‘Indiana Jones and the Dial of Destiny’ provides one last adventure for the pulp icon by Dominic Griffin June 27, 2023
Posted inArts & Culture ‘The Watermelon Woman’ presented a special brand of representation. by Dominic Griffin June 13, 2023
Posted inArts & Culture Filmmakers highlight the life of Maria Broom. by Jalynn Harris June 13, 2023June 14, 2023
Posted inArts & Culture ‘Master Gardener’ is a heat check for the limits of redemption by Dominic Griffin May 30, 2023
Posted inArts & Culture “Chevalier” reframes Black Excellence as its own kind of prison by Dominic Griffin May 16, 2023May 19, 2023
Posted inArts & Culture Is Apple’s ‘Ghosted’ a glimpse of Hollywood’s AI-driven future? by Dominic Griffin May 2, 2023May 3, 2023
Posted inArts & Culture 23 Years Later, ‘Next Friday’ Remains a Gentrified Imitation of Its Predecessor by Dominic Griffin April 20, 2023April 20, 2023
Posted inArts & Culture Nothing Between Us But ‘Air’ and Opportunity by Dominic Griffin April 17, 2023April 18, 2023
Posted inArts & Culture There’s Beauty in the Bloodshed of “John Wick: Chapter 4.” by Dominic Griffin March 24, 2023March 24, 2023